[ExI] Do digital computers feel?
Ben
bbenzai at yahoo.com
Wed Feb 15 21:56:06 UTC 2017
Brent, you'll probably ignore this as you have my other posts on this
subject, but I think these things still bear saying, as there are
spectators to all these conversations, and while a bit of light-hearted
bantering about how many angels can dance on the head of a pin is fine,
I'm uncomfortable about letting people think that most of us actually
believe in angels in the first place.
That was a metaphor, by the way :D
What I mean is, I have to take issue with the basic assumptions you make
in your arguments. e.g.:
"If you strip away all the memories of red, and you strip away all other
information, such as yourself perceiving it, and so on, you are left
with just plain and simple redness"
That makes as much sense as saying that if you strip away all the cogs,
springs and levers in a clock, you are left with just plain and simple
time-telling. In other words, none.
It's the memories and perceptions that /create/ redness. Nothing 'plain
and simple' about it. This is the fundamental mistake that I think you
make: Assuming that complex, combinatorial phenomena are actually
'fundamental properties'. They are not, and I don't see any way they
possibly could be. If they were, it would be possible to demonstrate
their existence outside of a human mind. Can you show that 'red' exists
outside a human mind?
Aside from that, you do tend to make various simple mistakes of fact.
e.g. in Vol 160, Issue 3 you write:
"The perception of a strawberry starts with the target of perception or
the surface of the strawberry having a set of physical qualities, (it's
ability to reflect something like 650 NM light) that we think of or
interpret as being "red". There is the causally downstream set of
physical qualities which are very different from the set of physical
qualities the surface of the strawberry has. This is the 650 NM light."
Fair enough so far (apart from the equivalence of 650nm light with
'red', but read on), but then you say:
"Then, there is a translation mechanism (the retina) which translate the
physical qualities of the light into a different set of physical
qualities (the red and green signal traveling down your optic nerve)"
The crucial point here is that /there are no red and green signals in
the optic nerve/, in the way there are, say, 'red' and 'green' colour
codes in a computer. Neither is 650nm light the same thing as 'red'.
There is in fact no neural representation of 'red' in our optic nerves.
If you took an axon at random from the optic nerve, and recorded the
signals travelling down it, there is no way you, or anyone else, could
tell if it was signalling the presence of a red-green, luminance, or
blue-yellow colour channel (there's no such thing as 'red', 'green',
'blue', etc., signals as such, in the visual system. Search on "colour
opponent theory" for details), or a light patch in the left field of
vision, a dark patch in the right field, an edge at 65 degrees, or
indeed any kind of meaningful visual stimulus, without also knowing a
lot more about how it's connected.
At this stage of our perception, the concept of 'red' /does not yet
exist/. This is a crucially important fact, because it shows that the
perception of 'red' is not seamlessly and rigidly connected to a 'red'
object (meaning something that reflects ~650nm light) in our field of
vision. There's a very simple experiment you can do to confirm this.
Take a red object outside at night and look at it under moonlight. Is it
red? No? OK, maybe that's because the moon doesn't reflect any 650nm
light (do you really think this is true?), so let's try a different
colour. How about a yellow object? Blue? Green? Can you see what I'm
getting at? We don't /perceive/ something like 'red', it's more that we
/create/ it, in our minds, from a complex set of inputs, including but
by no means limited to, what comes in through our optic nerves.
Here's another example. If you have a white object, and look at it
through a pair of spectacles with a red filter in one eye, and a blue
filter in the other, what colour is the object?
The only way of making sense of the signals in the optic nerve would be
to map exactly where an axon comes from and goes to, because visual
information is coded by something called 'line-labelling', where the
meaning of a signal is entirely dependent on what it's connected to. If
you took an axon that normally conveys the presence of, for argument's
sake, a dot of red in the centre of your right eye (as I've said, it's
not that simple, but never mind), and connected it to a slightly
different part of the lateral geniculate nucleus of the thalamus to the
one it normally synapses with, then that signal would mean something
totally different. It could even mean a sound or a stab of pain in your
leg, if it was moved so as to synapse with a neuron just a few
millimetres away from its original target. And it makes not a jot of
difference which neurotransmitter caused that neuron to send a signal
down its axon. Not does it make a jot of difference which
neurotransmitter it releases at its axon terminals, to the meaning of
the signals that the downstream neurons convey. In fact the
neurotransmitters, as I've alluded to in a previous post (and as Stathis
points out), are kind of irrelevant. They are just signals, and what
they convey is /completely independent of what they are/, rather like a
1 and a 0 in a digital computer. "What does 1 mean?" Silly question,
isn't it? Ditto "what does glutamate mean?". The meaning is totally
dependent on the context. In our brains, that context is whether the
receiving neuron is positively or negatively polarised by its glutamate
receptors, and which other neurons it synapses with. Replace glutamate
with something else, and make the receptors correspond, and there will
be absolutely no difference. You will no doubt disagree, but I insist
that /glutamate on its own means absolutely nothing/. Science tells us
this, and if you disagree, you're not just arguing with me, you're
arguing against science.
Philosophising about our minds is all very well, but it really does have
to start with some basic neurobiology, or it's totally meaningless. I'm
no expert in sensory neurobiology, but I know enough about it to see
that these ideas about red qualia etc., that you propound, are totally
orthogonal to the known science about how our minds work. But I can also
see that you're trying to convey /something/.
So, the challenge is: Can you reformulate your arguments in line with
the known science of how the brain works? No more 'fundamental redness',
no more 'glutamate is red'. Stick with the science, and maybe we'll
understand what you're actually trying to say.
Ben Zaiboc
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