[Paleopsych] New Statesman: Review of An End to Suffering: the Buddha in the world
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An End to Suffering: the Buddha in the world
http://www.newstatesman.com/site.php3?newTemplate=NSReview_Bshop&newDisplayURN=300000090162
Monday 8th November 2004
An End to Suffering: the Buddha in the world
Pankaj Mishra Picador, 422pp, £17.99
ISBN 0374148368
Reviewed by Edward Skidelsky
On receiving this book, I casually assigned it to the shadowy category
of "oriental wisdom", a category familiar to me from the likes of
Idries Shah and Bhagwan Shree Rajneesh. I later regretted this lazy
presumption. An End to Suffering is entirely free from the cliches of
eastern spirituality. It is a disengaged, highly intelligent account
of a young writer's growing interest in Buddhism, interspersed with
many fascinating observations about modern India and the west. These
observations in fact constitute the book's main subject, the theme of
Buddhism being little more than a string on which to thread them.
Pankaj Mishra grew up in a high-caste but poor Hindu family in the
1970s and 1980s. He quickly freed himself from his parents'
traditional piety, finding an alternative source of inspiration in the
great European novelists and philosophers. Hindu scriptures he
dismissed as belonging to India's "long, sterile and largely
unrecorded past". The west - that of Gustave Flaubert, S0ren
Kierkegaard and, above all, Friedrich Nietzsche - absorbed his
youthful dreams.
Yet Mishra is unable to find anything in the "cruel, garish world of
middle-class India" that corresponds to the idealised west of his
imagination. When finally he travels to London, his disappointment is
only heightened. His alienated descriptions of contemporary England -
a land "overlaid with broad concrete strips on which cars glide with
toy-like precision" - are among the best things in the book. Here is a
society "so prodigiously organised for expansion and consumption" that
it can absorb "even the few individuals who once stood opposed to it".
The life of a young London woman, with its desultory romances, leaves
him dismayed. If this is the promised end of history, then history is
a process without meaning.
Mishra's alienation is twofold. He is an outcast from the traditions
of his own society, yet unable to embrace the rhetoric of progress
that once inspired men such as Vivekananda and Jawaharlal Nehru.
Buddhism alone speaks to his predicament. It is, on the one hand, a
resolutely "post-traditional" religion, finding no meaning in the
rituals and dogmas of Hinduism or any other historical faith. Yet at
the same time it counsels against grandiose schemes of political
redemption, and against the endless multiplication of desire that
constitutes modern capitalism. It is thus ideally suited to those who
find themselves stranded, like Mishra, between past and future,
between tradition and modernity. The impulse drawing Mishra to
Buddhism is at root identical to that of Arthur Schopenhauer and many
other Europeans and Americans following him. It is disenchantment with
History, the Moloch of the modern world. Although initially suspicious
of the fakeness of so much western Buddhism, Mishra eventually comes
to view it with sympathy and respect. It is one of the many ironies of
this book that Buddhism should return to India through the mediation
of Schopenhauer, Nietzsche and Kerouac.
Mishra is an earnest, intelligent writer, bringing to his subject
something of the intensity of the 19th-century Russians. Yet his prose
can be stiff, with a bookish, obligatory quality, which suggests that
he has not yet fully overcome his outsider's awkwardness. His
explanations of Buddhist teaching are clear but textbook; his
descriptions of nature, although presumably sincere, are somewhat
"literary" in feel. Mishra's writing really springs to life when he is
describing his alienation from Indian and western society. It is these
moments of disillusionment and withdrawal which best capture his
imagination.
All of which suggests that Mishra's interest in Buddhism is more
negative than positive, more a matter of repulsion from than
attraction to. But perhaps this negativity is inherent in Buddhism - a
religion founded, as the title implies, on the hope of putting "an end
to suffering". Mishra observes, surely correctly, that much of the
west's obsession with the Buddhist "void" is simply a projection of
its own death-romanticism. Yet it cannot be denied that Buddhism, in
contrast to the main western religions, is essentially a via negativa.
Mishra quotes the words of Buddha to his female disciple Vishakha, who
visits him one day with her sari and hair wet from a purification
bath. She explains that a beloved granddaughter has just died. Hearing
that she wishes for many more sons and grandchildren, the Buddha
wonders if she will ever be without wet hair and clothes. And he says:
"Whoever holds a hundred things dear has a hundred causes of suffering
. . . but whoever holds nothing dear has no suffering . . . they are
free from sorrow, free from despair." There is nothing quite like this
in Judaism or Christianity, and it is bound to strike many western
readers as chilling.
Nietzsche, who features throughout this book, was less sympathetic to
Buddhism than Mishra admits. Although preferring it to Christianity,
he none the less saw it as the product of an old, exhausted
civilisation. Whether or not this judgement is true of Buddhism in its
original form, it certainly seems to capture an important aspect of
its contemporary appeal. For Mishra and many others, Buddhism fills
the vacuum created by the collapse of religious and political hopes.
It is appropriate that it should find its home in California, a land
fulfilling what Nietzsche specified as the preconditions of Buddhism:
"a very mild climate, very gentle and liberal customs, no militarism;
and . . . it is the higher and even learned classes in which the
movement has its home". The oldest of the world religions has, by a
curious irony, proved itself the most adaptable to the end of history.
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