[Paleopsych] From Eshel--A Glitch in Genetic-centrism--Joel
HowlBloom at aol.com
HowlBloom at aol.com
Wed Mar 30 06:34:49 UTC 2005
I envy you this experience, Val.
But you're right. I suspect it's more than von Holst and Lorenz who apply
here. It's the spirit of the German holistic biologists of the 19th
Century--including Goethe. They saw overarching form and its development from sperm
and egg or from seed and pollen as one of the key mysteries of science.
On your advice, I just ordered a copy of the translation, published under
the title: Behind The Mirror: A Search for a Natural History of Human
Knowledge.
Warmly--Howard
In a message dated 3/29/2005 8:37:18 A.M. Pacific Standard Time,
kendulf at shaw.ca writes:
Dear Howard,
In reading your commentary I am thrown back to the year I spent at he
institute of Konrad Lorenz, before he was awarded the Nobel Prize. What you discuss
was then subject of very lively attention especially since Lorenz's
institute was paired with an institute on cybernetics, then run by Mittelstaedt.
However, the ideas went back to the great Erich von Holst, who had investigated
neural functions. What Hawkins speaks about is the ancient, but exceedingly
serviceable concept of pattern matching as perception and which von Holst
enriched by the "re-afference principle". Lorenz responded by publishing in 1973
what is, in my judgment, his best work, a book on the natural history of
cognition, entitled in German "Die Rueckseite des Spiegels" (The backside of the
Mirror). I have no idea if it was translated into English. However, I made
good use of it and the discussions in Lorenz's institute to write the second
chapter of my Life strategies book, only that I applied it broadly to animal
behavior, and a lot of human include (intelligence, creativity - among others).
I also traced back some of the older literature. Its absolutely fundamental
material for an understanding of the evolution of organismal life strategies,
let alone higher cognitive functions. It refers to very ancient processes
without which life as we know it could not function. The Wednesday morning
seminars at Lorenz's institute were the sharpest intellectually I have ever had
the pleasure of attending. Unfortunately, some of that excellence arose from
the animosity between the three institutes united at Seewiesen by the Max
Planck society. Cheers, Val Geist
----- Original Message -----
From: _HowlBloom at aol.com_ (mailto:HowlBloom at aol.com)
To: _paleopsych at paleopsych.org_ (mailto:paleopsych at paleopsych.org)
Sent: Monday, March 28, 2005 11:02 PM
Subject: Re: [Paleopsych] From Eshel--A Glitch in Genetic-centrism--Joel
Joel--What you say below sounds right to me. If I understand it rightly,
time is a recursion of boundary-making, an iteration of a differentiating and
aggregating process, a multiplier of the voids spaced between the nodes of
isness, and a grower of the clusters between the voids--as in your cellular
automata model. It makes sense.
And it fits with the notion that time is the most critical aspect of
perception, an idea that Jeff Hawkins proposes in On Intelligence, one of the few
new-idea-generating books I've read in a long time. Perception in Hawkin's
view is a flow, a music. As in music, we spot thje sensory world's ur-patterns,
its repetitive themes and their variations.
In higher cortical regions, we create invariant representations of a stream
of sensations, we sift the themes from of a parade of sense-impacts, we
capture the pattern of a surge of impressions that follow each other like the
notes in a melody. Hawkins thinks of these invariant representations as "Name
that Tune"-style song-spotting. We send the prediction that the name of the
tune--the invariant representation-- implies back down to the sensory level of
the cortex. If the song title predicts the incoming stream properly,
everything is fine. If the incoming signal-surge no longer follows the melody
predicted by the song title, more cortical regions are forced to rush in and try
other song titles, other invariant representations, other names for the
possible melody.
The cosmos is process. Time is as critical to understanding as are
"things".
Perception has to mirror the cosmos to work. So perception is a
time-process, a temporal-flow-identifier-and-predictor, a future-projector that works by
taking what's past and flipping it forward, sometimes with a new twist.
Music is practice for future-projection, for identifying patterns in the flow.
New musical styles and new songs are practice for the novelties that may lay
around the bend. Howard
In a message dated 3/28/2005 11:07:39 A.M. Pacific Standard Time,
isaacsonj at hotmail.com writes:
I actually think more in terms of an Ur-Process that leads to Ur-Patterns.
In my view, our cognitive apparatus is comprised of zillions of those
Ur-Processes, interlocked in certain ways. The very elemental Ur-Process
involves local recursive discrimination of differences. Repeat: LOCAL
RECURSIVE
DISCRIMINATION OF DIFFERENCES is a key. Interlocution of many
Ur-Processes yields global Ur-Patterns that are pervasive in Nature, at all
scales.
(Biology and genetics are subsumed under these processes and involve the
same
patterns.)
Such Ur-Patterns come to our awareness as "snapshots" during the incessant
flow of the Ur-Processes.
----------
Howard Bloom
Author of The Lucifer Principle: A Scientific Expedition Into the Forces of
History and Global Brain: The Evolution of Mass Mind From The Big Bang to the
21st Century
Visiting Scholar-Graduate Psychology Department, New York University; Core
Faculty Member, The Graduate Institute
www.howardbloom.net
www.bigbangtango.net
Founder: International Paleopsychology Project; founding board member: Epic
of Evolution Society; founding board member, The Darwin Project; founder: The
Big Bang Tango Media Lab; member: New York Academy of Sciences, American
Association for the Advancement of Science, American Psychological Society,
Academy of Political Science, Human Behavior and Evolution Society,
International Society for Human Ethology; advisory board member: Youthactivism.org;
executive editor -- New Paradigm book series.
For information on The International Paleopsychology Project, see:
www.paleopsych.org
for two chapters from
The Lucifer Principle: A Scientific Expedition Into the Forces of History,
see www.howardbloom.net/lucifer
For information on Global Brain: The Evolution of Mass Mind from the Big
Bang to the 21st Century, see www.howardbloom.net
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----------
Howard Bloom
Author of The Lucifer Principle: A Scientific Expedition Into the Forces of
History and Global Brain: The Evolution of Mass Mind From The Big Bang to the
21st Century
Visiting Scholar-Graduate Psychology Department, New York University; Core
Faculty Member, The Graduate Institute
www.howardbloom.net
www.bigbangtango.net
Founder: International Paleopsychology Project; founding board member: Epic
of Evolution Society; founding board member, The Darwin Project; founder: The
Big Bang Tango Media Lab; member: New York Academy of Sciences, American
Association for the Advancement of Science, American Psychological Society,
Academy of Political Science, Human Behavior and Evolution Society, International
Society for Human Ethology; advisory board member: Youthactivism.org;
executive editor -- New Paradigm book series.
For information on The International Paleopsychology Project, see:
www.paleopsych.org
for two chapters from
The Lucifer Principle: A Scientific Expedition Into the Forces of History,
see www.howardbloom.net/lucifer
For information on Global Brain: The Evolution of Mass Mind from the Big
Bang to the 21st Century, see www.howardbloom.net
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